Celebrate the publication of “Modern Art in the Arab World: Primary Documents” (April 28 Beirut and May 23 New York).
Please join us for launch events in Beirut on April 28 and in New York on May 23 to celebrate the publication of Modern Art in the Arab World: Primary Documents (2018), edited by Anneka Lenssen, Sarah Rogers, and Nada Shabout.
Saturday, April 28, 2018
17:00–21:00 (5:00–9:00 p.m.)
The Sursock Museum
Auditorium, Level 2 and Museum Store
Greek Orthodox Archbishopric Street
Conversation with Anneka Lenssen, Sarah Rogers, Nada Shabout, co-editors of the book, and Zeina Arida, Nicolas Ibrahim Sursock Museum, with introduction by Glenn D. Lowry, MoMA.
Wednesday, May 23, 2018
6:00–8:00 p.m. (18:00–20:00)
The Museum of Modern Art
The Roy and Niuta Titus Theater 2
11 West 53 Street (between Fifth and Sixth avenues)
New York, NY 10019
Conversation with Anneka Lenssen, Sarah Rogers, Nada Shabout, co-editors of the book, and Iftikhar Dadi, Cornell University, with introduction by Glenn D. Lowry, MoMA.
Admission for both events is free, with seating offered on a first-come, first-served basis. RSVP is required for the New York launch.
RSVP for May 23 at The Museum of Modern Art, New York
Both events will bring to life Modern Art in the Arab World: Primary Documents and the book’s diverse content, multiple collaborators, and rich source materials that aim to further the study of modernism in a global frame.
Modern Art in the Arab World: Primary Documents offers an unprecedented resource for the study of modernism: a compendium of critical art writings by 20th-century Arab intellectuals and artists. The selection of texts—many of which appear for the first time in English—includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, and letters. Traversing empires and nation-states, diasporas and speculative cultural and political federations, the documents bring to light the formation of a global modernism that includes debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism. The sourcebook is framed chronologically, and features contextualizing commentaries and essays to assist readers in navigating its broad geographic and historical scope. A newly commissioned essay by Ussama Makdisi provides a historical overview of the region’s intertwined political and cultural developments during the 20th century.
Zeina Arida is the director of the Nicolas Ibrahim Sursock Museum in Beirut.
Iftikhar Dadi is associate professor in the Department of The History of Art and Visual Studies at Cornell University.
Anneka Lenssen is assistant professor of Global Modern Art in the History of Art Department at the University of California, Berkeley.
Glenn D. Lowry is director of The Museum of Modern Art in New York.
Sarah Rogers is an independent scholar.
Nada Shabout is professor of art history in the College of Visual Arts and Design and the coordinator of the Contemporary Arab and Muslim Cultural Studies Initiative at the University of North Texas.
Leadership support for Modern Art in the Arab World: Primary Documents was provided by The International Council of The Museum of Modern Art. Major support was provided by Misk Art Institute and by Zaza Jabre. Generous funding was provided by an anonymous donor, The Fran and Ray Stark Foundation, Rana Sadik and Samer Younis, Darat al Funun – The Khalid Shoman Foundation, Abdelmonem Bin Eisa Alserkal, The Kamel Lazaar Foundation, Geneva/Tunis, Barjeel Art Foundation, Marieluise Hessel Artzt, and other donors.
Special thanks to Sursock Museum and to Zaza Jabre for their support of the launch event in Beirut.